150
BASIC WRITINGS

thing (of the union of substance with accidents)? Or could it be that even the structure of the thing as thus envisaged is a projection of the framework of the sentence?

What could be more obvious than that man transposes his propositional way of understanding things into the structure of the thing itself? Yet this view, seemingly critical yet actually rash and ill-considered, would have to explain first how such a transposition of propositional structure into the thing is supposed to be possible without the thing having already become visible. The question as to which comes first and functions as the standard, proposition-structure or thing-structure, remains to this hour undecided. It even remains doubtful whether in this form the question is at all decidable.

Actually, the sentence structure does not provide the standard for the pattern of thing-structure, nor is the latter simply mirrored in the former. Both sentence and thing-structure derive, in their typical form and their possible mutual relationship, from a common and more original source. In any case this first interpretation of the thingness of the thing, the thing as bearer of its characteristic traits, despite its currency, is not as natural as it appears to be. What seems natural to us is probably just something familiar in a long tradition that has forgotten the unfamiliar source from which it arose. And yet this unfamiliar source once struck man as strange and caused him to think and to wonder.

Our confidence in the current interpretation of the thing is only seemingly well founded. But in addition this thing-concept (the thing as bearer of its characteristics) holds not only of the mere thing in its proper sense, but also of any being whatsoever. Hence it cannot be used to set apart thingly beings from non-thingly beings. Yet even before all reflection, attentive dwelling within the sphere of things already tells us that this thing-concept does not hit upon the thingly element of the thing, its independent and self-contained character. Occasionally we still have the feeling that violence has long been done to the thingly element of things and that thought has played a part in this violence, for which reason people


Martin Heidegger (GA 5) The Origin of the Work of Art - Basic Writings (1993)